#Upcoming wizard of oz tv show mac

вЂњAfter YouвЂ™ve GoneвЂќ performed by Judy Garland Frank Baum Foundation in Syracuse, New York in August. In that small room, where we would usually sit and drink around the piano, PeterвЂ™s note-perfect renditions of songs like вЂњThe Man That Got AwayвЂќ were known to make me cry. I first saw him perform at The Other Side, a piano bar in the LA neighborhood of Silverlake, which opened in the late 1960s and, sadly, closed in 2012. AnneвЂ™s book is available for pre-order and will be released in September.В If you have an opportunity to see PeterвЂ™s show, I highly recommend it.

#Upcoming wizard of oz tv show mac

Special thanks to Anne Helen Petersen and Peter Mac for making the time to talk to me.

McLean which ran in Film Quarterly in the Spring of 2002, called вЂњFeeling and the Filmed Body: Judy Garland and the Kinesics of Suffering.вЂќ This article was the final straw that made me decide to apply to graduate schools, and itвЂ™s still a gold standard for me in terms of relating whatвЂ™s happening in a personвЂ™s life off-screen to what they make visible on-screen. A Star is BornВ is my favorite film, and HaverвЂ™s book is definitely amongst the most impactful books about filmmaking, celebrity, the culture of Hollywood and HollywoodвЂ™s ability to create culture, that IвЂ™ve ever read. One is Ronald HaverвЂ™s bookВ on the production, destruction and restoration/reconstruction of A Star is Born. IвЂ™ve listed my sources as usual below, but I should also note that my fascination with Judy Garland is longstanding, and though I didnвЂ™t pick them up this week, there are a few texts that IвЂ™ve basically internalized over the years. As IвЂ™ve tried to show here, I think itвЂ™s the emotional connection, the connection in the public imagination, that really matters. ThereвЂ™s some debate as to whether or not thereвЂ™s a literal, causal relationship between GarlandвЂ™s death and Stonewall, but thereвЂ™s no question that the dividing line between the Before Stonewall and After Stonewall eras coincides exactly with the dividing line between Judy GarlandвЂ™s existence in the world as a living, breathing human being and her post-death existence as a symbol, angel, martyr, whatever. This kind of completely casual reporting on вЂњfluttering fagsвЂќ shows us how different the world that Judy Garland lived in is from the world that began to come into being after her death. Ultimately I decided that I wanted to have it in there because it helped me to remember how significant Stonewall really was, by showing how much it needed to happen, and how much has changed (although of course thereвЂ™s still a long way to go). The other excerpt is more problematic - itвЂ™s basically a document of vicious homophobia, although it wouldnвЂ™t have been called or recognized as that at the time - and I debated whether or not to include it. The first of these excerpts is an example of the way that Garland often functions as a kind of folk hero, the star of cocktail party anecdotes that become something like tale tales. For one thing, it includes material from interviews with two different experts: Anne Helen Petersen, who writes about Garland in her new book, Scandals of Classic Hollywood, and Peter Mac, a Judy Garland tribute artist whose act features detail-oriented recreations of GarlandвЂ™s live performances, and who is incredibly well-versed in GarlandвЂ™s life, work and legacy.ДЄlso, at two different points, I have Friend of You Must Remember This Noah SeganВ reading excerpts from William GoldmanвЂ™s The Season. This episode is a little bit different than previous episodes.

WeвЂ™ll also take a look at GarlandвЂ™s rise as a gay icon, and the connection between GarlandвЂ™s death and the Stonewall Riots, which took place the night of GarlandвЂ™s funeral. WeвЂ™ll explore GarlandвЂ™s struggles to assert herself within an industry that nearly killed her, and against a media which seemed to be out to get her. These triumphs were, at the time, usually overlooked by an essentially paternalistic mainstream media which, much to GarlandвЂ™s dismay, delighted in the negative and the tragic. But today, weвЂ™re going to pay particular attention to the last two decades of her life, the post-MGM years, during which Garland battled through one comeback after another, ultimately establishing intimate relationships with her fans on TV and in live performances that would cement GarlandвЂ™s legacy as one of the most powerful performers of all time. Signed to a studio contract at the age of 13, encouraged to become a pill addict as a teenage MGM contract player, crowned a superstar by The Wizard of OzВ at age 17 and married for the first time at 18, Garland lived more than her share of life before reaching legal maturity. Today weвЂ™re commemorating the life and career of Judy Garland, who died 45 years ago this month. Listen to this episode on Apple Podcasts.